Friday, October 20, 2006

Ghouls and Ghosts (or Tramps and Trannies?)

It’s almost that time. Halloween, or as I see it, the one night when guys get to dress up like girls and girls get to dress up like sluts. I don’t even want to begin trying to delve into the psyche for why that is.

It doesn’t seem like the Halloween entrepreneurs are discouraging the women from wearing their skimpy fantasies for all to see either. In Manhattan, you can walk past any number of costume stores and see posters showcasing how a girl can be a sexy nurse, or a sexy maid, or a sexy nun... Or a sexy mental patient.

Those that think I’m kidding can go to 23rd Street between Fifth and Sixth Avenue to view the picture of a woman with her double-D breasts stuffed into her tightly cinched straight jacket. Cleavage is clearly visible of course.

I guess the thinking here was “Hey, if a chick wants to pretend to be locked in an insane asylum, she might as well look crazy AND slutty”.

As for myself, I might have to forego a costume for the second straight year. I really did have a great idea in mind but are a few more pressing matters these days (like finding a new job and a new apartment). But I know I’m in for another night full of disappointed looks at my jeans and tshirt. My Texas friends were a little more laid back about costuming, but with this crowd in New York...

Let’s just say you’ll be standing in a group with a garden gnome and an Asian Magnum P.I. and people will be looking at you like you’re the freak.

Halloween was never fully supported by my family. I don’t think dressing up like monsters and demons sat very well with my mom. As a result, I was the kid that every other kid snickered at for having the crappiest, cheapest costumes. You know, the plastic Mickey Mouse or Bugs Bunny masks strapped on by the thinnest, dirtiest rubber band that would snap off and whip you in the face. I can still recall the stings on my cheek.

My friend, Daniel’s mom would never hold back on costumes. He would have all the costumes that were popular during the time. Like a full Bart Simpson get-up. Imagine opening your front door to a kid in yellow makeup with the spikey hair, orange shirt, blue shorts and blue shoes... And next to him, a sad, little kid in a generic “robot” costume that his mom reluctantly bought in the “Seasonal” aisle of the grocery store. Next year, Daniel had an official Freddy Kruger mask with the official Freddy Kruger claws and a spot-on match of the red and black sweater. Me, I had a hockey mask and a pirate sword. You get the idea.

Back to the present, I figured I had outgrown those painful years of trying to think of a good costume. Then again, these guys all know how to have a good time, and if you can get away with dressing up like a fool and have a laugh, why not?

My buddy, Tony, takes the prize though. His friends have done some hysterical group costumes, such as Care Bears and Spiderman dressed up in another costume (say Spiderman in a Tennis outfit). Their philosophy is that one Care Bear looks like an ass, but a group of Care Bears is ingenious.

Check out this classic:



UPDATE: I guess I’m not the only one who notices the sexy girl costume trend. Check this out. The best is the girl in the sexy Lincoln outfit saying "Four score with me!" (Thanks to Courtney)

Friday, October 06, 2006

Where did all the good times go?

It seems like ages since I’ve checked back into my blog. Not that I’m abandoning it, unlike others (ahem... Matador, Best Ever and Monster), but other things have been requiring my focus.

It’s been pretty crazy for a while with the hunt for a new apartment, and working almost from scratch to redo my portfolio and website. And it doesn’t look to let up for a while, since the apartment is going to shift gears to apartment moving which may be as painfully time-consuming (if not more so) than the hunt.

Speaking of hunting, if anyone knows of a graphic designer position in the city I’d be happy to hear about them. I should stipulate that the new company shouldn’t be staffed with complete assholes because I already hit the mother-load on that one. It’s getting harder and harder to muster the energy in the morning to even get up to face an entire day in that dreaded place.

I’m also acutely aware that my photoblog site has similarly been woefully neglected. Hopefully things will settle down soon and I can get back to enjoying the pleasures of life again.

Just to indicate how busy (and monetarily strapped) I’ve been: Gomez is playing for three nights at the Bowery Ballroom and I passed on the chance. Shocking.

I even missed out on Neko Case and Beck, which disappoints me more than I can describe.

At least I’ve got Texas Tech football and Netflix to keep me going through these troubled times. (Don’t even talk to me about the TCU game.)

Thursday, September 07, 2006

Gassed

The recent discovery of a new oil resource off the U.S. Coast may have initially sounded like a relief to the country’s dependence on foreign fossil fuels, but analysts are already saying that the find will do little to stave off the diminishing resources at hand. What’s more, the impact of this deposit will be years away and will do little to put a dent in consumer demand.

Really, all it did was buy a little time, further feed our addiction to a non-renewable resource and extend our political agenda in the Middle East. And it probably just fed the fire to encourage more digging and disruption into our ecosystem in a hope that there’s more down there. I’m having a mental image of a political cartoon depicting the U.S. as a crack whore.

On a brighter note, NPR reports on an emerging renewable resource called Solar Thermal, which is capable of generating much more power than the more conventional solar power cells at a cheaper price. While still not able to match the price and output of fossil fuels, it signals a step in the right direction for our energy needs.

Whatever the source (be it solar, combustion or nuclear) it’s still amazing to me that what it all comes down to is a way to boil water and have the steam turn turbines to generate electricity. You’d think we’d have found a better way by now.

Wednesday, August 02, 2006

Sound off

To my chagrin, there hasn’t been a whole lot out there in the music scene that’s really caught my attention lately. That may be partly due to the fact that lately, I haven’t been able to stop listening to Neko Case and the Yeah Yeah Yeahs. Neither are new but I keep discovering elements that make me love them more and more.

Thom Yorke’s Eraser has a few decent tracks but is widely considered a disappointing retread into Radiohead territory. Cool cover art though.

Zero 7 have historically treaded that fine line between moody trip hop and shopping mall muzak. I’ve always defended them but Pitchfork nailed my exact sentiments towards their latest and worst release, the Garden.

It’s nice to hear Ray LaMontagne getting more and more attention.

Morcheeba haven’t won me over yet with their decision to jettison their lead singer and signature sound in their latest release, the Antidote. Cool cover art though.

I’m withholding judgment on Psapp and Rachel Yamagata for now, but I like what I’ve been hearing so far.

Thursday, July 27, 2006

Journals: the old schooler’s blog

I’ve discovered that the creators of the 1000 Journals Project have created a continuation project creatively called the 1001 Journals Project.

It was probably inevitable since all one thousand journals had been sent out and not much new was happening with the existing ones. Most of them had stalled at some point or another, and it’s been sad to see that only one journal has made it through all its participants and returned to be showcased.

I guess that’s why I’m still on the fence about whether or not to sign up for this new incarnation.

I was so excited about receiving one of the 1000 journals since the sign-up lists filled up insanely fast. I, along with a few my friends, poured quite a bit of time, energy, and honestly, a lot of heart into those pages. So it was painful to see it get lost along the way and never live up to its full potential. I’m not sure if it’s stuck in someone’s stack of books or buried in some landfill somewhere.

Plus, this new edition just seems so much more uninspired. There are a few new features and probably better tracking but it’s essentially the same thing.

A new feature that I’m not in love with is that the journals can be constructed and created by anyone. One of the greatest things about the original series was the consistent format with amazing art created for each edition of ten. The creator commissioned well-known and up-coming designers and artists for the covers, which made me so envious that I never got that chance.

I guess I could jump at this new opportunity but I’m so soured by the last go-around that I don’t think I’ll take the plunge this time around.

Luckily, I submitted scans of all the pages so far from the journal that was mailed to me so I can reminisce if I want to.

NOTE: Hey this was my 100th Post! Woohoo!

Monday, July 24, 2006

HOLY SHIT!!! (part 2)

[Steven’s inner monologue while sitting at his desk on Monday at work.]

Steven: i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job

[Checks his e-mail.]

Steven: HOLY SHIT!!!!!! Joy is pregnant... again!

[Closes his e-mail window.]

Steven: i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job i hate my job

NOTE: HOLY SHIT!!! (part 1)

Saturday, June 24, 2006

Toy story

This weekend I got a large dose of life with kids. With family in the big city for the first time, I played the dutiful role of tour guide and babysitter. It’s amazing how completely exhausting it is to just be in the general proximity of toddlers. Even after avoiding any real physical exertion, I realized how drained I was at the end of the day just listening to them try to tell me every little thought that popped into their heads.

Conversing with a kid is the equivalent of seizure-inducing channel surfing. I learned that Wesley played baseball and that his only position was shortstop... no wait, also third base and pitcher and second base and left field and Warren is an Allosaur, not a Tyrannosaur and that when he hunts down a Brontosaurus, he eats like this (chomping noises) and Wesley has the Cybertron Megatron and Warren has three different Optimus Prime toys but doesn’t have the Energon Optimus Prime and the rings of Saturn are made of asteroids and a scientist that studies bones is a paleontologist and Warren’s friend Devon caught roly-polys and gave Warren nine because he already had one and now they both have ten and then they let them go because they’re living animals and that rattlesnakes have venom in their fangs that are curved and that they bite you and suck your blood and then you die from the poison.

I think this is when my head imploded.

So with four kids ranging from 4 and 7 years old, the Times Square Toys R Us store was a necessary destination. Not to reward the kids with toys but as a means to distract them enough for the adults to catch their breath.

It’s amazing how much that place has changed since my youth. Now there’s a full-sized Allosaur roaring in the corner (but it’s not real, it’s animatronic, according to Wesley), and a dizzying array of specialized Lego pieces.

Somewhere between touring the Barbie house, digging through Legos for square red pieces and checking out the latest Bionicles, I recalled how I promised myself that I would own a Toys R Us when I grew up because I never wanted to be away from toys. Toys were the sole focus in my life. Nothing was above having toys. Eating, sleeping, school, these were mere obstacles to my obtaining and playing with as many toys as possible.

Whenever I was in the car with my parents and a Toys R Us came into view, I would fix my gaze on it until it would disappear into the horizon. It was my secret hope that the sheer, desperate display of want on my face would convince my dad to turn the car around and offer to buy anything in the store. That never happened.

Even when I was lucky enough to get into a toy store or even the toy aisle in the grocery store, I would always pick out something and wait for my mom to come along to pick me up. I never gave up hope that if I shoved the package into my mom’s face, she would be forced to accept how cool and awesome it was and that my life would be meaningless if I didn’t have it right then and there. This never happened either.

I think this effect has stunted my emotional well-being to some extent. What’s the point in showing excitement or desire over anything if it gets you nowhere? I wonder if that’s why I’m so apathetic towards any display of interest. Even if I really wanted something, I would just shrug my shoulders and think “Well, if I get it, I get it.”

But maybe that’s just a part of growing up. Most adults don’t throw tantrums and pout when they don’t get their way.

There have also been a few revelations about myself through toys. I learned early on that I am way too trusting and gullible.

In the first grade, I barely spoke english. I was pretty much ignored by my classmates except for intrusive questions about my ethnicity or someone being wowed over by my really good renderings of Transformers. Still, when one boy started wanting to play together, it was exciting. That Christmas, I got the ultimate gift: a complete set of Voltron. This wasn’t the dinky, stiff armed version that didn’t disassemble. This was the Voltron. It could bend it’s arms and legs. It could split apart into the five lions (with the removable pilots in the cockpits). And it was two feet high. I had hit the jackpot.

So naturally, I took it to Show and Tell. That day at recess, a boy from class asked to take it home to play with it. I was young, naïve and desperate for friendship so I let him take it. The next day, I asked for it back and he flat out refused. No excuses or lies. His reply was “It’s mine now.” I was too embarrassed and confused to even go tell my parents or the teacher. It was a big life lesson in not trusting people. To this day I still never confessed to my mom what happened to that toy and why she never saw it again.

One of the other moments in my life that I still clearly recall was my eighth birthday party at Chuck E Cheese (or Showbiz Pizza as it was called back in the day). I had invited half my class, including my best friend, Daniel and the girl I was in love with, Michelle. After the blur of eating pizza, the birthday song and ripping off wrapping paper, I remember standing in front of Michelle with Daniel, ridiculing her over her choice of gift for me.

“You got me Thunderclap?! He’s not even cool! He’s not even the leader of the jet Decepticons!”

“Yeah, Starscream is the leader,” Daniel chimed in. “He’s so much better! You should’ve gotten that one for Steven! You don’t understand because you’re a girl!”

I don’t even know why we were berating her. Normally, I’m so ecstatic to get not just a toy but a Transformer. Even the knock-off Transformer toys were good enough for me. Gobots, weird Japanese ones whose names I couldn’t read, or hell, even the robots that transformed into lumps of rocks. Rocks for chrissakes! Talk about lack of effort by the creators on that one.

And she just sat there tearfully and took the abuse without a word.

To this day, the recollection of this incident makes me cringe and feel like a worthless person. If I could, I’d go back in time, smack myself silly and apologize to that poor girl.

Another telling behavior was whenever I’d get a new toy that was one of the good guys (say an Autobot or a herbivore dinosaur), it wouldn’t get accepted immediately into my toy community. It would be ostracized by the others and treated like an outsider. That is until it performed a feat of selfless sacrifice to save one of the existing good guys from the bad guys. The good guys would mourn the death of the newcomer and lament the error of their ways. That is until the new toy was resurrected and accepted by everyone. This scenario I played out many, many times.

It makes me wonder how much of myself I was casting into that outsider toy and what that said of my own perception towards my peers. It makes me appreciate that there’s something more to the toys that my cousins are lusting over. And it makes me want to reach out to those cousins that are not as popular as their fellow cousins. I want to shower them with attention to show that they’re not alone or outsiders or freaks.

My parents and my uncles don’t understand it. All they see is their children’s singular obsession with obtaining toys. But while listening to Warren tell me that he’s the Blue Power Ranger and that Wesley’s the Red Power Ranger, it hit me. Adults don’t understand that the unending stream of conscious talking may actually mean something to these kids. It’s more than constant rambling. I may not get why Warren likes Batman but not Superman, or why Sarah likes Dora the Explorer but not Elmo. But what I do get is that it’s more than the material fix. These toys somehow will help define how each one of them will perceive others and themselves. That your friends are capable of being thieves. That you are capable of being an asshole. That we’re all heroes and martyrs and outsiders. That I get.

Monday, June 12, 2006

Crash course

I just want to take a second to say that the movie, Crash, is the fucking worst movie I’ve seen in a long, long time. Talk about over-dramatization and the largest ensemble of annoying characters ever.

I’m still engrossed in the TV show, Lost, though. I’m almost caught up on the second season. It’s impressive how the show can continue to be so tightly scripted and have such high production values. Although they just keep piling on the dangling plotlines and I’m getting annoyed at how so little gets resolved. I know that as an ongoing TV show they need to drag the storylines out, but come on, throw me a bone here!

Wednesday, May 03, 2006

Smooth operators

I finally got my hands on Gomez’s newest release, How We Operate which, upon first listen, impressed and surprised me. That’s hard to do since I’ve come to expect just about anything from this band and didn’t think they could still come up with new approaches.

This album finds Gomez at a crossroads. They seem to finally be on the cusp of broad appeal and at last have the backing of a label willing to promote them and let the band play to their strengths. Still, I’m worried that the boys may be too willing to embrace any possible popularity. Maybe I’m off, but I sense that they’re getting weary of constantly flying under the radar. I’m not going to start criticizing "They’ve sold out!" because who wouldn’t want to be successful at what they do? And these guys deserve it; they’ve paid their dues. I just hope I can still catch them in small, intimate venues when they come around.

So this record sounds more radio-friendly and glossed over. That’s not necessarily a bad thing since they’ve never been a deep, pretentious musical act. They’ve always been about having a good time and making some catchy music. Maybe this album is really a reflection of the members growing up and settling down a bit. I found myself enjoying this release more immediately than all of their others, which took time and effort to really embed themselves in my brain. The prior release, Split the Difference was also a quicker "get" for me, but also faded from my interest the fastest. I’m worried this new album will have a similar fate. I hope Gomez haven’t discarded their unique sound to generate a larger fan base.

There are some definite gems in this playlist. Chasing Ghosts with Alcohol clearly depicts their love affair with country and blues. I always thought Ben would have been right at home singing with a slide guitar in some dive bar in West Texas and this song solidifies that idea. Hamoa Beach is classic Gomez: a catchy rythym, uplifting lyrics and infectious harmonies. Woman!Man! and Cry on Demand retain the singalong nature and quirkiness that make Gomez a joy to listen to.

Tom, always regarded as the third singer, finally starts to shine on this album. He’s shown the most growth and progression as a singer and a songwriter. There was evidence of this on their previous release, Split the Difference with the sad yet beautiful Sweet Virginia. Tom manages to top that effort with the newest album’s closer, Don’t Make Me Laugh. It’s sweet, catchy and heartbreaking. It’s rich and textured, and it makes me think that Gomez are still making the music that I respect and expect from them.

After all, how can you not love guys who have this much fun:

Monday, May 01, 2006

See the world through laoser’s eyes! (or how I learned to stop worrying and give Flickr the big "F-You")

A few months later than anticipated and after some tedious programming, I’m finally ready to unveal my very own photoblog site, Obscursion. Time will tell if I can keep this going, which will hopefully prompt me to dish out the cash for a unique URL, but for now, this is an experiment.

Actually I have nothing against Flickr, but when I decided to buy a digital camera and post photos on the web the designer in me wanted to actually have the site fit my aesthetic and work like I wanted it. Still, I will definitely miss some of the perks and features of Flickr. Since I’m no HTML wiz, I’m sure that some of my methods aren’t as streamlined as they could be, but maybe I’ll figure those things out as time passes.

I’m still learning how to get the best pictures out of my new camera, so the goal is to improve the quality of the photos as well as refine my viewfinder eye. All in all, I’m looking forward to seeing how this works out.

Thursday, April 27, 2006

The empires strike back

As an antithesis of my last post on Google’s attempt to equalize the flow of information through the internet, NPR reports on how internet service providers are musing over the idea of creating tiered access to the internet, effectively providing slower and faster lanes for webpages to get to one’s computer. Large companies that would be willing to shell out a premium expense would get a higher priority and quicker load times to their consumers. A non-audio version of this topic can be found on the New Yorker.

Some may argue that offering newer, better features is a part of capitalism. If a company makes a better car, they should have the right to charge a higher price, and I agree with that. But abolishing the current "network neutrality" just doesn’t seem to fit in the same category as luxury cars. The proposed system would most likely give large corporations more power and allow the ISPs to exert too much influence. Libraries don’t offer better library cards that let you get more access to books than regular library card holders.

The revolutionary aspect of the internet is that is an open field. Anyone with a computer and internet access can (in most cases outside of China) get the same information as anyone else in the world. But broadband companies want to change that because they want more money. They try to justify it through other reasons, but their lust for more is so apparent that there’s no way to hide it. If they weren’t making any money then I could see the rationale that they need to be compensated for laying the pipelines and maintaining the servers, but everyone pays for the service already, and at monthly intervals. They’re creating a need solely so that they can provide the solution, which is despicable.

Monday, April 24, 2006

This is not a music blog

I loved hearing that several cities such as Philadelphia are taking on the ambitious and philanthropist goal of providing city-wide wi-fi in order to bridge the "gap on internet inequality". Imagine wanting to surf the internets on your laptop and not be constrained to your home or coffeeshops. I really enjoyed how Austin was virtually wi-fi everywhere and am a bit surprised at the lack of access in New York.

Now, true to its namesake, Google ups the ante exponentially by announcing Glo-fi which would provide free internet access all over the globe. Details are sketchy and scarce so I’m not sure how extensive or reliable their network would be. A lot of people are questioning how they plan to do this, but Google has pulled off some amazing feats before.

Aside from the logistical hurdles, I wonder how Google will pull this off politically. Opening the gates to free information is very utopian, but I see major resistance to come from established internet providers and countries like China, well known for its censorship of what its citizens can access.

Google is starting to look like a commercial juggernaut (hello, Microsoft?) but its programs have always been pretty top notch and its goals beneficial. I’ll cheer Glo-fi on for now, but I’ve got my eye on you, Google.

Wednesday, April 19, 2006

Better Tea

This week the Fiery Furnaces released their latest album, Bitter Tea and played at the Bowery Ballroom.

Much like how Radiohead’s Amnesiac related to its sibling, Kid A, Bitter Tea is mined from the same collection of songs as its predecessor Rehearsing My Choir but attempts to be more user friendly. I wasn’t sure what to expect since "user friendly" isn’t exactly in this group’s repertoire. The result turns out to be somewhere in between Rehearsing My Choir and their masterful Blueberry Boat. Even songs that are pretty straightforward for the band, such as Police Sweater Blood Vow would be pretty outrageous for most other groups. The duo never clings to standard time signatures and the songs seem to wobble and teeter on the edge of collapse, but that’s also what makes them sound so vibrant.

What’s curious about the album is that toned down versions of two songs are tacked on to the end of the record. I suspect this may have been the result of concessions with nervous record label execs, but who knows. While others may find relief in being able to hear more traditional, less crazy music, I didn’t find either track to be of anything worthwhile. After experiencing the entire album of their unbridled exploration, these versions sounded so meek and flat. It was almost a premonition of what the Fiery Furnaces would sound like if some major record label tied them down and cut their balls off.

Yeah, I was sort of hoping for a bit more of that Blueberry Boat magic but that’s probably not realistic or fair. It’s good that the band so fearlessly treads into strange, new lands. Listening to them takes work, but part of the appreciation for them comes out of that effort.

Now, on to the live show...

I saw the Fiery Furnaces at the last Austin City Limits Festival but it’s always hard to judge a band at a venue like ACL. It’s hot, the sound quality is totally different and they only get about 45 minutes to show off to tons more people. So this time around I didn’t know what to expect.

The result was a bit surprising. I had imagined the duo to be moody, shoe-gazing and shy. But they ended up being quite the opposite. Eleanor has to be the most polite rock chick ever and Matt seemed to be having a blast on stage. As if like just another fan (on stage), he would watch Eleanor sing and a huge grin would spread across his face.

The band powered through over fifteen songs in just over an hour but they weren’t speeding through the tunes because of apathy. I think the frantic pace is consistent with their nature. The song arrangements sounded closer to the album versions than when I heard them at ACL. The contributing factor was probably due to the fact that Matt chose not to bring his keyboard to the concert. Listening to the songs performed with a more traditional instrument arrangement (guitars, bass and drums) gave a glimpse of what the Fiery Furnaces would be like if they weren’t such mad scientists in the studio. Their songs translate pretty well into the format but I think I missed hearing the other elements.

Like the Beta Band, the Friedbergers create their sound with patterns and textures, whether it’s alliterated word-play or repetitive riffs. The problem is that that technique didn’t come off as well through the fuzz and distortion of amps and speakers on stage. So they relied on rocking it out on guitars, which wasn’t a bad thing.

I was impressed with Matt’s guitar skills but the band wasn’t exactly the tightest sounding live act I’ve ever heard. Yet unlike the Stills, the looseness seemed to play as a strength. Their albums are quite elaborate and crazy and I think meticulously trying to recreate them live just wouldn't fit with the spirit of this group.

One interesting incident tonight was when the two people next to me reached onto the stage and snatched a setlist out from under Matt’s feet before the concert was even over! I could easily read the astonishment and annoyance on his face. I wonder how disillusioning it would be to find out that your fans are thoughtless, rude assholes. Some of them anyway.

This looks to be an active year for the Friedbergers so here’s hoping for a few more New York shows and maybe an album or two!









Thursday, April 06, 2006

Stop and Gotan

Four down, one to go! Gotan Project catches me by surprise by releasing their new album, Lunatico, next week on April 11!

You can check out samples of each track on their website, but I’m resisting the temptation. I want to savor the sonic splendor next Tuesday.

This discovery just made my day.

Changes are no good

Last night I attended the second of two shows by the Stills at the Mercury Lounge. There is a lot of apprehension in the fanbase because of the shake-ups in the band roster. I have to say that after seeing the show, that apprehension is justified.

Perhaps I’ve been spoiled by seeing other bands put on amazing shows such as Radiohead, Gomez or Thievery Corporation. These bands put out very polished albums but their live acts take them into a whole new spectrum of energy and sound. After these shows, bands like Weezer and Franz Ferdinand sort of bored me, not because they couldn't play live, but the songs sounded like carbon copies of the album. They still sound decent but not to the echelon that I’m used to.

So when I get to see the Stills, I’m disappointed at the muddy, loose sounds they make. The qualms over Dave Hamelin (former drummer, now co-lead vocalist) are valid. He just doesn’t have the vocal range or strength to carry most of the songs. I don’t think he was as bad as portrayed by the Crackers, but he wasn’t that good either.

That said, I’m not going to completely condemn this new strategy. Tom of Gomez has always contributed a few lead vocals on their albums, but early shows revealed an almost painfully off-key voice. Over the years, with either training or practice from constant touring, I’ve noticed that Tom has become a much improved, if not great singer. I was very moved by his solo waltz-version of Sweet Virginia at the Hiro Ballroom.

What really surprised me about the Stills concert was how shaky Tim Fletcher’s vocals were. I actually thought that he was off-key more often than Dave was. The addition of keyboards and horns seem like an attempt to mask these deficiencies. The Stills are looking more and more like a studio band.

So I’ll check out their new album when it comes out, but hearing some of the songs last night, I didn’t notice any evidence of progression from their phenomenal debut album. Logic Will Break Your Heart was one of the best albums to come out in the past few years. It has mature themes and sounds that seem to be completely lacking in their new work.

I’m wondering how much that has to do with the departure of their lead guitarist, Greg Paquet. Sure the face and voice of the band is still there but think how different Radiohead would be without Jonny Greenwood. Thom Yorke will always be the heart of Radiohead but much of the sound is created by Jonny, and I’m thinking this was the case with the Stills.

So have the Stills have lost that mature, dark sound only to replaced it with more pop and probably generic music? I’ll wait for the new album before I make a final verdict, but it’s not shaping up too well.







Thursday, March 30, 2006

Gotham finally thaws

The weather is gorgeous in the city today. The sense of spring awakening is tangible and very very welcome.

This city still amazes me. During lunch, in a five minute span I witnessed:

1.) A man yelling into his cell phone: "Tell me, are all of you fucking retards or is it just you?! Fucker!" And then hanging up.

2.) An elderly woman walking down the street bawling uncontrollably.

3.) A toddler reaching into a sewer drain while his mother stands over him waiting for him to look up so she can shove a banana into his mouth.

4.) A homeless man in a wheelchair untangling his iPod headphone cord.

UPDATE (4/5/06): I may have been a little hasty with this post seeing as how IT’S FUCKING SNOWING!!!

Wednesday, March 29, 2006

One last time

In an effort to keep this blog from becoming completely pro-Gomez agenda pushing, I wont say anything about last night’s show at the Housing Works Cafe.

Instead I’ll showcase some of my own photography. Featuring Gomez.





Tuesday, March 28, 2006

Good ol’ Gomez

The three singers of Gomez played at the beautiful Hiro Ballroom last night. It was, as usual, a stunning concert that reminds me that I would’ve made a deal with the devil to have Ben’s voice.

The night started off with a pleasant discovery of David Ford, who’s style evokes the dark, dreamy landscapes (and arpeggios) of early Radiohead and the almost too weighty songwriting of Damien Rice. His vocals were impressive, but at times sounded a little too much like the lead singer of the Goo Goo Dolls. I was a bit annoyed that the guy looked like a Justin Timberlake clone with stage theatrics that would’ve rivaled that Coldplay guy. Nonetheless, the guy’s voice and talent are hard to ignore.

Back to the main event, I still have an intense love for this band that baffles and scares some onlookers. I completely relate to the band’s mentality. They tour constantly, love their fans, have no ego and enjoy each other’s antics. Imagine your college buddies getting their asses off the couch and playing music. Except that their music turned out to be really fucking great.

Plus there’s an appreciation for having three singers that share vocals and harmonize, probably rooted in my growing up listening to the Beatles and Beach Boys. You just don’t hear that nowadays. It helps to have three singers that can sing really well. Not just a frontman with another band member that thinks he can sing (the Stills, I’m looking in your direction here until you prove me wrong).

Here’s a sampling of one song that each of the Gomez vocalists took a stab at:

Silence: Ian solo

Silence: Ben live

Silence: Tom, album version

I also love these guys because they never stop evolving their songs. The live versions are always ten times better than the studio releases, but I’m amazed that they’re open to playing a bluesy version or a Caribbean version or a waltzy version. They find new sounds for old songs that they could just as easily and lazily horde for new tracks for albums. But instead they keep their fans excited and their old tunes fresh.

Yeah, I’m one of the crazy fans that stockpiles bootlegs but the reward is hearing new songs evolve and take shape. Here’s an early version and a live pre-release version of a song that’s on their upcoming album:

Working Title: Failure

Hamoa Beach

One of my favorite Radiohead songs, Follow Me Around, will probably never get released and there aren’t any good recordings of it anywhere. Yeah, that sucks but it’s also somehow still fulfilling to have discovered it.

Hopefully I’ve devoted enough of this post to ranting on Gomez that I wont have to do it ever again. But maybe not since I’m reliving the adventure tonight at the Housing Works Bookstore. If anyone can find bootlegs of these concerts let me know!

Thursday, March 09, 2006

Out with the old, in with the news

I haven’t really had a chance to ponder much of what’s going on in the world lately, but here’s a stab:

Why is Bush so relentless in turning over several port operations to a Dubai company? Eyebrows are raising, especially when Republicans are starting to stand up in opposition to the proposal.

Meanwhile the talks to balk a nuclear capable Iran is not going well. The idea of a possibly antagonist nation aquiring nuclear power if definitely scary for the U.S. but it’s hard not to judge the U.S. critically as well. Like a bully who has a shiny toy but won’t let anyone else play with it, holding out on the rest of the world seems a bit selfish. But I guess it’s also a responsible approach. How could anyone realistically expect that everyone would not abuse this power? And if we’re so against the proliferation of nuclear technology then why openly assist another country in the matter? Eyebrows are raising a little more. I guess I don’t know enough of the details to completely condemn Bush for this matter but his track record hasn’t exactly been aligning in my favor.

Elsewhere, it didn’t take long for the issue of abortion to pop up after the realignment of the Supreme Court. South Dakota steps up to the plate to take the first swing at abolishing abortion. It’s a very obvious attempt at pushing the issue into the forefront of the Judiciary. I, for one, am very surprised at the blatant and bold maneuver of the South Dakota lawmakers. They’re definitely not fucking around. But if anyone thinks this is going to be swift and clean is delusional. I can see this as the first step in a long and painful journey for the whole country.

What scary and interesting times in which we live.

Thursday, March 02, 2006

There’s a ringing in my ears and it’s not tinnitus

Three down and and two to go! The Stills are releasing a new album on May 9th, and I already have tickets to their NYC show in April. Add that to the Gomez trio show at the Hiro Ballroom that I got tickets for yesterday, and it makes for a good couple of months coming up.

Sounds like Radiohead is slaving away as well, so if Gotan gets their act together I’ll have a grand slam for my anticipated bands with a few concerts sprinkled in. Rock on!

UPDATE: Also, not on my list, but Zero 7 is coming out with their latest, The Garden on May 15th in UK. Not sure yet when it’ll be out here in the US.